SYNC DIFFERENT

Verse 1

I am a poor wayfaring stranger
While traveling through this world of woe
Yet there's no sickness, toil or danger
In that bright world to which I go.

Chorus
I'm going there to meet my Father
I'm going there no more to roam
I'm only going over Jordan
I'm only going over home.

Verse 2

I know dark clouds
Will gather round me
I know my way
Is rough and steep
Yet beautiful fields
Lie just before me
Where god’s redeemed their vigils keep

Chorus

I'm going there to meet my mother

She said she’d meet me

When I come
I'm only going over Jordan
I'm only going over home.
I'm only going over home




Traditional arranged by
Manuel Galvin & Jean-Jacques Milteau

gospel, cantante (masculino), emotivo, Estados Unidos de América, desgarrador, triste, drama social, exilio (letras), música conocida, atmosférica, canción folk, religión (letras), sintetizador, melancólico, synth pad, blues, chimes, en suspenso, introspectivo, cantado en Inglés, lento, versión principal

Chorus

Take this hammer and carry it to the captain
Take this hammer and carry it to the captain
Take this hammer and carry it to the captain

An’ Tell him I’m gone
Tell him I’m gone

Verse 1

If he ask you was I runnin’
If he ask you was I runnin’
If he ask you was I runnin’
Tell him I was flyin’
Tell him I was flyin’
If he ask you was I laughin’
If he ask you was I laughin’
If he ask you was I laughin’
Tell him I was cryin’
Tell him I was cryin’

Chorus


Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain

Tell him I’m gone
Tell him I’m gone


Verse 2


I don’t want no green back dollar
I don’t want no green back dollar
I don’t want no green back dollar


It hurts my pride
It hurts my pride

Chorus

Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain

Tell him I’m gone
Tell him I’m gone


Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone


Traditional arranged byManuel Galvin & Jean-Jacques Milteau

canción folk, cantante (masculino), banjo bluegrass, tren (letras), trabajo (letras), canción de trabajo, América del Norte, confiado, Country & Western, determinado, dobro slide, armónica cromática, música conocida, rítmica, animado, despreocupado, vida cotidiana, 1950, grupo, siglo XIX, acústico, cantado en Inglés, medio, versión principal

Verse 1

Well, I’m going down to the St. James Infirmary,
to see my baby there

She was all stretched out,
on a long white table
So sweet, so cold, so bare

Verse 2

Let her go, go !
Ahh, my little Baby, Where ever she can beYou may search this whole world all over
But she’d never find a sweet man like me

Verse 3

Now, when I die, bury me in Stetson shoesA Stetson coat, and a Stetson hat
And put a twenty dollar gold piece on my watch chain
So the cats know, that I died fat
Ad Lib

St. James Infirmary, where can my baby be ?
It’s just at St. James Infirmary, yeah
Let my baby go, let my baby goLet my Baby go, go, go
Let my Baby go !

Traditional arranged by :
Manuel Galvin & Jean-Jacques Milteau

blues, cantante (masculino), Estados Unidos de América, música conocida, chasquido, dobro slide, canción folk, triste, 1920, 1930, drama social, muerte (letras), batería, marimba, vida cotidiana, grupo, melancólico, desgarrador, cantado en Inglés, medio, versión principal

Verse 1

From this valley they say you are going
We will miss your bright eyes and sweet smile
For they say you are taking the sunshine
That has brightened my pathway awhile

Verse 2
Come and sit by my side if you love me
Do not hasten to bid me adieu
Just remember the Red River Valley
And the cowboy who loves you so true

Verse 3

Won’t you think of the valley you’re leaving
O how lonesome, how sad it will be?
O think of the fond heart you’re breaking
Every grief you are causing to me.

Verse 4
Come and sit by my side if you love me
Do not hasten to bid me adieu
Just remember the Red River Valley
And the cowboy who loves you so true
And the cowboy who loves you so true

Traditional arranged by :
Manuel Galvin & Jean-Jacques Milteau

balada country, canción folk, Estados Unidos de América, western, cantante (masculino), tierno, 1950, amor (letras), dobro slide, guitarra folk, música conocida, nostalgia (letras), vida cotidiana, íntimo, melancólico, sentimental, amor, contrabajo , folky, armónica cromática, apacible, de ensueño, grupo, ingenuo, 1940, siglo XIX, acústico, cantado en Inglés, medio, versión principal

Verse 1

Well, not so long ago,
I had the sweetest dream
I will never forget the feeling,
People walking hand in hand
Will you come
with me, come

To the other side of the river
Where peace you will find,

Reach the other side, will we ever
Will you come
With me, come

Verse 2

I’m awake, but
my dream is still here,

In my heart my soul and mind
And I hope this dream we can share,

‘Cause your heart beats just like mine
Will you come with me, come
To the other side of the river
Where peace you will find,

Reach the other side, will we ever
Will you come
with me, come
Will you come,
Come with me, come
Will you come
With me, come

Words by:
Michael Wesley RobinsonMusic by:
Manuel Galvin

hermandad (letras), soul, canción folk, baladas, cantado en Inglés, Estados Unidos de América, guitarra eléctrica barítona, cantante (masculino), pop song, arpegio, melancólico, música conocida, de ensueño, tierno, vida cotidiana, amor, bajo eléctrico, calmado, comedia romántica, confiado, apacible, amor (letras), Escocia, emotivo, guitarra eléctrica, Irlanda, acústico, lento, versión principal

Chorus

In the pines, in the pines
Where the sun never shines
And you shiver when the cold winds blow

Verse 1

Little girl, little girl, what have I done
That makes you treat me so?
You caused me to weep, you caused me to mourn
And you caused me to leave my home

Chorus

In the pines, in the pines
Where the sun never shines
And you shiver when the cold winds blow

Verse 2

The longest train I ever saw
Came down that Georgia line
The engine passed at six o'clock
And the cab came by at nine

Chorus

In the pines, in the pines
Where the sun never shines
And we shiver when the cold winds blow

In the pines, in the pines
Where the sun never shines
And you shiver when the cold winds blow

Traditional arranged by
Manuel Galvin & Jean-Jacques Milteau

canción folk, música conocida, cantante (masculino), balada country, cantado en Inglés, guitarra Ebow, América del Norte, banjo bluegrass, amor frustrado (letras), guitarra eléctrica, bajo eléctrico, melancólico, pop song, vida cotidiana, determinado, tierno, acústico, lento, versión principal

canción de trabajo, voz masculina tarareada, Estados Unidos de América, resiliencia, guitarra dobro, mandolina americana, triste, obstinado, desgarrador, canción tradicional, étnica y tradicional, melancólico, batería, drama social, hipnótico, introspectivo, acústico, lento, percusión en madera, versión principal

Verse 1
As the blackbird in the spring
'neath the willow tree
Sat and piped I heard him sing

Praising Aura Lee.

Chorus
Aura Lea! Aura Lea! Maid of golden hair
Sunshine came along with thee
And swall-ows in the air.

Verse 2
Take my heart and take my ring
I give my all to thee
Take me for eternity
Dearest Aura Lee!

Chorus
Aura Lea! Aura Lea! Maid of golden hair
Sunshine came along with thee
And swall-ows in the air.

Verse 3
In her blush the rose was born
'twas music when she spoke
In her eyes the light of morn
Sparkling seemed to break.

Chorus
Aura Lee! Aura Lee! Maid of golden hair
Sunshine came along with thee
And swall-ows in the air.

Verse 4
Aura Lee the bird may flee
The willow' golden hair
Then the wintry winds may be
Blowing ev'rywhere.

Chorus
Aura Lee! Aura Lee! Maid of golden hair
Sunshine came along with thee
And swall-ows in the air.

Verse 5
Yet if thy blue eyes I see
Gloom will soon depart
For to me sweet Aura Lee
Is sunshine to the heart.

Chorus
Aura Lee! Aura Lee! Maid of golden hair
Sunshine came along with thee
And swall-ows in the air.

Words by William W. Fosdick (D.P)
Music by George R. Poulton (D.P)

Arrangement by
Manuel Galvin & Jean-Jacques Milteau

balada folk, música conocida, cantante (masculino), western, Estados Unidos de América, sentimental, tierno, banjo bluegrass, cantado en Inglés, guitarra folk, melancólico, amor (letras), delicada, dobro slide, guitarra Ebow, íntimo, mandolina americana, apacible, vida cotidiana, calmado, guitarra acústica, de ensueño, acústico, canción folk, lento, versión principal

Verse 1
When everything goes wrong,
There’s troubles in your home
Oh, Lord, Oh Lord ,
Stand by me

Chorus

Lord, stand by me,
As I walk this land alone
Lord stand by me
Help me bear this heavy load
Oh if I stumble Lord, pick me up
Help me drink from this bitter cup
Oh Lord, Oh Lord,
Stand by me

Verse 2

When everything goes wrong,
There’s troubles in your home
Oh, lord, Oh Lord,
Stand by me
I don’t worry and I don’t fret,
Cause my God has never left me yet
Oh Lord, Oh Lord,
Stand by me

Chorus
Lord, stand by me,
As I walk this land alone
Lord stand by me
Help me bear this heavy load
Oh if I stumble Lord, pick me up
Help me drink from this bitter cup
Oh Lord, Oh Lord, Stand by me

Words & Music by Reverend Charles A. Tindley (DP)

Arrangement by :
Manuel Galvin & Jean-Jacques Milteau

gospel, Estados Unidos de América, religión (letras), cantante (masculino), balanceo, exaltante, coro masculino, contrabajo , series, batería, animado, festivo, música conocida, rítmico, pandereta, bluesy, cantado en Inglés, rítmica, confiado, determinado, medio, percusiva, versión principal

Verse 1
From the great Atlantic ocean to the wide Pacific shore
From the queen of flowing mountains to the south side by the shore
She's mighty tall and handsome and known quite well by all
She's the combination on the Wabash Cannonball

Verse 2
Now She came down from Birmingham one cold December day
As she rolled into the station you could hear all the people say
There's that gal from Tennessee she's long and she's tall
She came down from Birmingham on the Wabash Cannonball

Verse 3
Yeah Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball

Verse 4
Our Eastern states are dandy so the people always say
From New York to St. Louis and Chicago by the way
From the hills of Minnesota where the rippling waters fall
No chances can be taken on the Wabash Cannonball

Verse 5
So Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball


Traditional arranged by
Manuel Galvin & Jean-Jacques Milteau

Estados Unidos de América, tren (letras), cantante (masculino), Country & Western, banjo bluegrass, bluegrass, cantado en Inglés, mandolina americana, música conocida, rítmica, animado, armónica diatónica, confiado, determinado, vida cotidiana, catchy, feliz y contento, despreocupado, aire libre, series, acústico, guitarra folk, guitarra twangy, rápido, saltado, versión principal

All my trials Lord, Soon be over

Verse 1
I had a little book, it was given to me
And on every page, selles Liberty
All my trials Lord Soon be over

Verse 2
If religion was a thing that money could buy
The rich would live, and the poor would die
All my trials Lord Soon be over

Bridge
Too late my brothers, too late
But never mind.
All my trials Lord.
Soon be over

Verse 3
If Malcolm and Martin were living today
They’d look around, what would they say
All my trials Lord Soon be over

Bridge
Too late my brothers too late
But never mind
All my trials Lord Soon be over
All my trials Lord Soon be over

Traditional arranged by
Manuel Galvin & Jean-Jacques Milteau

cantante (masculino), gospel, libertad (letras), destino (letras), Estados Unidos de América, guitarra Ebow, música conocida, religión (letras), resiliencia, a cappella, coro masculino, emotivo, solemne, drama social, íntimo, órgano Hammond, tom, cantado en Inglés, introspectivo, atmosférica, acústico, calmado, lento, medio, versión principal

Verse 1
Well I come from Alabama with a banjo on my knee
I'm bound for Louisiana, my own true love for to see
It rained all night the day I left
The weather it was dry
Sun so hot I froze to death
Susanna, don't you cry

Chorus
Oh, Susanna
Don't you cry for me
‘Cause I come from Alabama with the banjo on my knee

Verse 2
I had a dream the other night
When everything was still
I dreamed I saw my girl Susanne
She was coming around the hill

The buckwheat cake was in her mouth
A tear was in her eye
I said I come from Dixie girl
Suzanna, don't you cry

Chorus
Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with the banjo on my knee
Yeah Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with this banjo on my knee


Words & Music by Stephen Foster (D.P)
Arrangement by
Manuel Galvin & Jean-Jacques Milteau

música conocida, canción folk, cantante (masculino), Country & Western, Luisiana, banjo bluegrass, cantado en Inglés, confiado, dobro slide, guitarra folk, catchy, carretera (letras), sentimental, tierno, rítmica, amor, folky, despreocupado, acústico, balanceo, Estados Unidos de América, medio, melancólico, versión principal

Chorus
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is born

Verse 1
While shepherds kept their watching,
Over silent flocks by night
Behold, throughout the heavens,
There shone a holy light

Chorus
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is born

Verse 2
The shepherds feared and trembled,
When low above the earth
Rang out ,angels chorus that hailed
Our saviours birth

Chorus
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is born

Chorus as lib
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is bornGo tell it! Go tell itGo tell it! On the mountain

Go tell it! Everywhere
Go tell it! Everywhere
Go tell it! Can you tell the story
Go tell it! About when He came, to the mountain
Go tell it! OOOHH, Lord! Go tell it! Go tell it!

Traditional arranged by :
Manuel Galvin & Jean-Jacques Milteau

gospel, cantante (masculino), balanceo, religión (letras), Estados Unidos de América, exaltante, música conocida, coro masculino, guitarra eléctrica, pandereta, bluesy, clap, unificador, guitarra eléctrica barítona, apasionado, soul, canción folk, confiado, geopolítica, cantado en Inglés, medio, rítmica, versión principal

cantante (masculino), canción folk, música conocida, emotivo, Estados Unidos de América, melancólico, ukulele, Country & Western, synth pad, bajo eléctrico, guitarra folk, triste, banjo bluegrass, Pasión, sintetizador, vida cotidiana, introspectivo, acústico, calmado, instrumental, lento, medio, apasionado, versión alternativa

guitarra eléctrica, panorámico, atmosférica, espacio, rock progresivo, errante, introspectivo, panorámica, en suspenso, música conocida, 1970, aérea, desolado, melancólico, de ensueño, América del Norte, desierto cálido, programación, sintetizador, acústico, instrumental, lento, sin tempo, versión alternativa

guitarra slide, Country & Western, folk, confiado, música conocida, aire libre, guitarra folk, western contemporáneo, despreocupado, mandolina americana, pastoral, sousafón, vida cotidiana, árida, campo y jardín, animado, Estados Unidos de América, feliz y contento, guitarra pedal steel, apacible, rítmica, traveling, folky, relajado, 1930, 1940, acústico, instrumental, medio, versión alternativa

blues, música conocida, violín, 1920, América del Norte, sousafón, banjo, bluesy, cine retro, mandolina americana, triste, 1930, batería, emotivo, klezmer, yídish, desgarrador, vida cotidiana, modern jazz, acústico, anticuado, instrumental, medio, versión alternativa

guitarra eléctrica, blues, música conocida, chasquido, bluesy, Estados Unidos de América, sousafón, batería, dobro slide, triste, emotivo, vida cotidiana, acústico, instrumental, medio, versión alternativa

balada folk, Estados Unidos de América, confiado, Country & Western, música conocida, pastoral, sentimental, western, campo y jardín, folky, guitarra folk, despreocupado, apacible, sencillo, tierno, vida cotidiana, encantador, aire libre, emotivo, ingenuo, road movie, balanceo, guitarra slide, indolente, panorámica, acústico, instrumental, medio, versión alternativa

balada country, mandolina americana, balada folk, América del Norte, guitarra eléctrica, dobro slide, vida cotidiana, armónica diatónica, música conocida, apacible, de ensueño, rítmica, tierno, calmado, campo y jardín, guitarra pedal steel, íntimo, melancólico, aire libre, sentimental, delicada, pastoral, acústico, instrumental, lento, versión alternativa

balada country, banjo bluegrass, dobro slide, apacible, violín fiddle, música conocida, road movie, contrabajo , Estados Unidos de América, pastoral, sentimental, despreocupado, mandolina americana, relajado, vida cotidiana, campo y jardín, introspectivo, panorámica, traveling, acústico, guitarra folk, instrumental, lento, medio, versión alternativa

árida, guitarra eléctrica barítona, road movie, atmosférica, balada rock, inquietante, música conocida, progresión, América del Norte, crescendo, desierto cálido, guitarra eléctrica, synth pad, sintetizador, extraño, errante, rítmica, series, guitarra Ebow, instrumental, lento, medio, versión alternativa

guitarra dobro, árida, blues, desierto cálido, errante, indolente, música conocida, narrativo, banjo bluegrass, bluesy, Estados Unidos de América, introspectivo, calmado, panorámica, road movie, ukulele, pastoral, relajado, sencillo, trío, vida cotidiana, íntimo, acústico, instrumental, lento, sin tempo, versión alternativa

balada country, dobro slide, música conocida, pastoral, tierno, América del Norte, íntimo, apacible, campo y jardín, emotivo, guitarra Ebow, melancólico, vida cotidiana, calmado, guitarra pedal steel, introspectivo, mandolina americana, de ensueño, sencillo, delicada, guitarra folk, retenido, sentimental, acústico, instrumental, lento, versión alternativa

dobro slide, jardinería, confiado, folk, despreocupado, balanceo, Country & Western, relajado, indolente, aire libre, rítmica, vida cotidiana, América del Norte, mandolina americana, música conocida, apacible, calmado, grupo, acústico, instrumental, medio, versión alternativa

bluegrass, violín fiddle, confiado, feliz y contento, guitarra flatpicking, despreocupado, mandolina americana, baile country, animado, música conocida, pastoral, bailable, square dance, contrabajo , festivo, saltado, América del Norte, balanceo, ingenuo, apacible, acústico, Country & Western, instrumental, medio, rápido, versión alternativa

dobro slide, narrativo, balada country, melancólico, música conocida, Estados Unidos de América, íntimo, mandolina americana, apacible, campo y jardín, guitarra folk, indolente, introspectivo, de ensueño, vida cotidiana, calmado, confiado, guitarra Ebow, sentimental, tierno, platillo, pastoral, acústico, instrumental, lento, versión alternativa

música conocida, banjo bluegrass, balada country, balada folk, confiado, Estados Unidos de América, folky, mandolina americana, campo y jardín, vida cotidiana, guitarra folk, apacible, pastoral, sencillo, despreocupado, contrabajo , guitarra pedal steel, jardinería, old time, calmado, feliz y contento, guitarra slide, ingenuo, western, acústico, instrumental, medio, versión alternativa

dobro slide, música conocida, folky, apacible, western, balada country, folk, melancólico, narrativo, panorámica, sentimental, dúo, íntimo, introspectivo, sencillo, vida cotidiana, Estados Unidos de América, guitarra folk, road movie, calmado, campo y jardín, indolente, relajado, panorámico, acústico, instrumental, lento, versión alternativa

balanceo, guitarra folk, música conocida, relajado, confiado, indolente, Nueva Orleans, dobro slide, despreocupado, Naturaleza, gospel, guitarra eléctrica barítona, rítmica, vida cotidiana, acústico, instrumental, medio, versión alternativa