Sophisticated, animated & vituoso instrumental Latin jazz. Lead tenor ...Sophisticated, animated & vituoso instrumental Latin jazz. Lead tenor sax, Latin percussion, piano & bass. Gaita de furro is a traditional rhythm from Venezuela.
Percussive Latin jazz track dedicated to Afro-Cuban traditional ...Percussive Latin jazz track dedicated to Afro-Cuban traditional percussion including, bongo, conga, timbales, cowbell, & drums.
Letras ... Upbeat, fiery & festive salsa/jazz. Male vocals, latin percussion, ...Upbeat, fiery & festive salsa/jazz. Male vocals, latin percussion, male choir. Piano, bass, percussions & brass solo @ 2'22.
ES:
Seguimos por buen camino y cimarroneando
Con la orquesta Chaworó comunicando
No hay tiempo que perder
Ni espacio para el atraso
Así que proyecta el éxito
y evita el fracaso
Vengan, traemos música
El mejor antídoto
Para el cuerpo humano
Venga traemos música
El mejor antídoto
Para el cuerpo humano
Coro 1: venga traemos música
El mejor remedio
Para el cuerpo humano
Coro 2: venga traemos música
Coro 3: ven a vacilar con la música
EN:
We continue on the right track and cimarroneando
With the Chaworó orchestra communicating
There is no time to lose
Nor room for delay
So project success
And avoid failure
Come, we bring music
The best antidote
For the human body
Come, we bring music
The best antidote
For the human body
Chorus 1: Come we bring music
The best remedy
For the human body
Chorus 2: come we bring music
Chorus 3: come and swing to the music
Translated with www.DeepL.com/Translator (free version)
Letras ... Happy, festive & lively salsa. Male singer, Latin percussion ...Happy, festive & lively salsa. Male singer, Latin percussion including bongo & clave, brass section, male choir & piano.
ES:
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa' que goces un montón
Ven que Chaworó ya comienza
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa que goces un montón
Ven que Chaworó ya comienza
Salsa dura con Latin Jazz
Culo e' puya con quitipla
Son montuno con chachachá
Y los tambores bata
Coro 1: Chaworo celebra su aniversario
Ven pa ca que esta rumba es sin horario
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Coro 3: Chaworó celebra su aniversario
23 con harmonía
Y el patrón de mi tambó
Con lo bueno de la vida
Esta fiesta se formó
El fogón del sentimiento
Siempre estará encendido
Porque aqui sobran los motivos
Para seguir vivos
Te digo yo
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Mas de 20 años
Tocando por todas partes
Disfrutando de este arte
Que la música nos da
Le pedimos a Los Santos
que nos den mucha salud
Para que lo goces tu
cuando escuches este mambo
Mambo mambo mambo para Babalú
Fiesta a la venezolana
Monten las sopas las hallacas y las empanadas
Hay un run-run en la calle
Estamos de cumpleaños
Y ven pa' acá !
EN:
We are turning 23
It' s our anniversary
we are celebrating our birthday
The Chaworó family
We are turning 23
We are celebrating our anniversary
We are celebrating our birthday
The Chaworó family
We invite you to this party
Take advantage of the occasion
So that you enjoy a lot
Come that Chaworó already begins
We invite you to this party
Take advantage of the occasion
For you to enjoy a lot
Come that Chaworó already begins
Salsa dura with Latin Jazz
A lot of puya with quitipla
Son montuno with chachacha
And the bata drums
Chorus 1: Chaworo celebrates its anniversary
Come here, this rumba is without timetable
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
Chorus 3: Chaworo celebrates its anniversary
23 with harmony
And the patron saint of my tambó
With the good things of life
This party was formed
The bonfire of feeling
Will always be lit
Because here there are plenty of reasons
To stay alive
I tell you
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
More than 20 years
Playing everywhere
Enjoying this art
That music gives us
We ask The Saints
That they give us a lot of health
For you to enjoy it
When you listen to this mambo
Mambo mambo mambo mambo for Babalú
Venezuelan style party
Prepare the soups, the hallacas and the empanadas
There's a rumble in the street
We're having a birthday party
And come over here !
Letras ... Classy, carefree & smooth salsa/chachacha. Lead flute, Latin ...Classy, carefree & smooth salsa/chachacha. Lead flute, Latin percussion with cowbell & piano. Male choir & male singer @ 2'00.
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Sumando muchas amistades
Se me quitan los pesares
Porque la vida es una fiesta
Y siempre voy a celebrar
Por eso canto
Porque el que canta
sus males espanta
Esto no es casualidad
Enamorado de la vida
Mi tambor siempre me inspira
Y Poleo a mi me dice
Cucucucuprá, Cucucucuprá...
Mi abuelita así decía
Toca las maracas mi nieto
Con la santa trinidad
Repica maracas
Coro 2: Y nunca pa atras no no no
Donde estas tu camará?
Caminando por la vida
Deja tu huella al andar
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Adding many friendships
I'm taking away my sorrows
Because life is a party
And I'll always celebrate
That's why I sing
Because those who sing
Their evils scare away
This is no coincidence
In love with life
My drum always inspires me
And Poleo tells me
Cucucucucuprá, Cucucucucuprá...
My grandmother used to say
play the maracas my grandson
With the holy trinity
Play the maracas
Chorus 2: And never backwards no no no no
Where are you my friend?
Walking through life
Leave your footprint as you walk
Chorus 1: Through life I'm walking forward and never backwards no no no no
Alternate without vocal. Classy, carefree & smooth salsa/chachacha. ...Alternate without vocal. Classy, carefree & smooth salsa/chachacha. Lead flute, latin percussion with cowbell & piano. For exotic lounge & party.
Alternate without vocal. Elegant, cheerful & easy Latin ...Alternate without vocal. Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso solo flute @1'45, Latin percussion & piano.
Letras ... Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Letras ... Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & ...Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & extravert with a strong rootsy influence. Afro-Cuban percussion, male singer & choir. Full band with brass section @ 1'33.
ES:
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
La Fulia se presenta con su ritmo original
Va jugando con la clave
Repicando en el compás
Palo endoe
Tierra de tambor
Y con su sabor
Suena el campanario, san juan del congo
Prima cruzado y pujao
Van derrochando mello
La cultura de mi pueblo casi nadie la olvidao'
Tambores de libertad
Fue Curieto el precursor
desde 1721 esta sonando mi tambor
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
Coro 1: Alcánzame si puedes que ya no ando a pie
Ahora si vengo rapidito
Montadito en TGV
Que lo baile todo el mundo,
Que lo goce el japonés
Desde Francia para el mundo
Voy cantado cheveré
La comparsa que es de Cuba
Sin barrera de cultura
Coro 2: que ya no ando a pie
Coro 3: oye no quiero cuento
Llegó el momento con Chaworó
Coro 4: esto no se va a parar esto sigue
Con la orquesta Chaworó
Coro 5: me llevo los tambores nos vemos después
Me llevo los tambores nos vemos después
EN:
There is an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
La Fulia is presented with its original rhythm
Playing with the clave
Tapping on the beat
Palo endoe
Land of the drum
And with its flavor
Sounds the bell tower, san juan del congo
Prima cruzado and pujao
They go splurging melao
The culture of my people almost no one has forgotten it
Drums of freedom
Curieto was the precursor
Since 1721 my drum has been beating
There's an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
Chorus 1: Reach me if you can I'm not walking anymore
Now I'm coming fast
I'm on a TGV
Let the whole world dance to it,
Let the Japanese enjoy it
From France to the world
I'm singing cheveré
The comparsa that is from Cuba
Without a barrier of culture
Chorus 2: I don't walk on foot anymore
Chorus 3: hey I don't want any stories
The time has come with Chaworó
Chorus 4: this is not going to stop this goes on
With the Chaworó orchestra
Chorus 5: I'll take the drums I'll see you later
I'll take the drums I'll see you later
Underscore version. Percussive, spicy & extravert with a strong ...Underscore version. Percussive, spicy & extravert with a strong rootsy influence. Fulia con Conga (traditional Venezuelan rhythm). Afro-Cuban percussion. Full band with brass section @ 1'33.
Letras ... Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban ...Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Latin percussion, piano, male vocals, choir & Cuban cuatro.
ES:
Yo no tengo ni una cabra no tengo buey
y me vine caminando de Camagüey
caminé todo el sendero sin descansar
y solo me queda el cuero pa' trabajar
Cuando consiga un trabajo lo juro yo
iré a comprar una joya de la mejor
pa' llevarle al amor mio a la niña que
me tenia de amorio alla en Camagüey
Que yo no tengo, nada tengo
No tengo, nada tengo
Que yo no tengo, no tengoNo no tengo, no tengo
Que yo no tengo, no tengo
Ay lala lala lalala..
EN:
I don't even have a goat I don't have an ox
and I came walking from Camagüey
I walked all the way without resting
and I only have the leather left to work
When I get a job I swear I will
I'll go and buy a jewel of the best
to take to my love to the girl who had my love
I have a love affair with back in Camagüey
That I don't have, I don't have nothing
I don't have, I don't have anything
That I don't have, I don't haveI don't have, I don't have
That I don't have, I don't have
Ay lala lala lala lalala...
FR:
J’en ai rien (P Canzani)
Je ne même pas de chèvre j’ai pas de bœuf
Et je suis venu en marchant depuis Camagüey
J’ai marché tout le sentier sans aucun repos
Il ne me reste que la peau pour travailler
Quand je trouverai un travail je te le jure
J’irais acheter un bijou le plus beau
Pour l’offrir a mon amour la fille que
Me faisais tourner la tête la bas à Camagüey
Que je n’ai rien rien de rien
Que je n’ai rien je n’ai rien
Que je n’ai rien de rien
Non je n’ai rien je n’ai rien
Que je n’ai rien de rien
Underscore version. Upbeat. Lively & festive progressive Latin jazz ...Underscore version. Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Lead Cuban cuatro, Latin percussion & piano.
Letras ... Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin ...Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin percussion, melodica, lead piano @ 1'24. Male choir @ 4'05. Solo drums & percussion @ 4'33.
Letras ... Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & ...Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party.
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, ...Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Creole music from Columbia & Venezuela. Light-hearted & cheerful. ...Creole music from Columbia & Venezuela. Light-hearted & cheerful. Accordion, tiple, acoustic guitar, bass & percussion. (South America)
